Kuta Beach, Bali, is a tourist trap. Each passing hour reminded me of every other tourist hot spot - Mexico, Dominican Republic or Jamaica. Visitors are not here to discover a culture, they come to eat western food, drink day and night, sleep late and lie on the beach. Every second step is met with “Hello Boss” followed by a “special price” offer. Given the behaviour of most visitors it is no surprise the local people cater to these habits.
Bali, however, is reputed to be an island of artisan villages, each specializing in a particular art or craft. I rented a motorcycle and decided to follow a typical one day route and see for myself. Passing the seaside resorts of Sanur, I stopped to consult the map. A Balinese man stopped and asked where I was going. Detailing my proposed route, he made some suggestions and offered directions. Then he said “My name is Agung. I have full tank, follow me.” I agreed and we were off.
Entering the silver making village of Celuk, I was struck by a sense of emptiness. Most homes advertise silver-making but there is little evidence of commerce. “No tourists, no business,” Agung observed as we drove through.
The predominantly Hindu population of Bali means there are temples everywhere and Batuan is very popular in the south. Visitors are provided the required sarong, asked to sign the guestbook and invited to make a donation. The sculptures and altars are typical but I find temples become the same and I suffer from “temple-overdose” easily. One is usually enough.
Nearby, Tegenungan Waterfall is pleasant but not exceptional. Agung said the water was unclean and not good for swimming. The dramatic fall in tourism arrivals has lead to the closure of the luxury resort overlooking the falls and the Air Terjun Bungee Jump appeared closed as well. Over a soda, Agung told me he has a wife and two children. The car rental company he worked for went bankrupt after the second bomb, leaving him unemployed. His wife sells vegetables in the market to support the family.
“The local people are not the problem,” he told me, “it is the outsiders that make the problems. I hope that tourism comes back and we can all make a better living.”
At a typical family-run wood carving business near Bedulu village, I am greeted by Ketut, the traditional name given the fourth child. While carvers work on the porch, Ketut explains the various woods what part of Indonesia each is from. Aromatic sandalwood, mahogany, teak, hibiscus and crocodile wood are the most common. I wander through the large shop admiring the variety of carving. From intricate masks and boxes of all sizes to large sculptures, the craftsmanship is impressive. Checking the price on a small box, Ketut says everything is at 50% discount. A small group of Spanish tourists arrives and I realize this is the first place I have seen another foreigner today.
Ubud is considered the cultural heart of Bali. It is popular with vacationers and has a large resident ex-patriot community. The shaded streets are lined with shops selling products from the nearby villages and other knick-knacks. The atmosphere is pleasant with a definite feel of a west meets east artists community. Cafes, art galleries and restaurants compete for the tourist dollar in a more understated fashion than Kuta.
I ask Agung to break for lunch. We stop at a charming restaurant and as we are about to enter Agung says he will wait for me. Refusing repeated invitations, I walk inside to check it out. The restaurant is open and airy with tables on multiple levels and a fish pond in the center. Opening the menu, I am shocked to see prices that rival restaurants at home. Thanking the server, I exit and ask Agung to take me to a place he would go to. Outside Ubud we stop at a roadside restaurant overlooking rice paddies and the Idman Burung Bird Park where we both enjoy a hearty local meal at very reasonable prices.
Batubulan is famous for stone carving. The road is lined with thousands of pieces but only a few of the shops have someone actively carving. The subjects are varied, from Hindu gods to masks and gaudy phallic symbols. I watch as soft sandstone blocks become sculptures. The work is painstaking, the results impressive. Nearby, the traditional Barong dance, an exorcism ritual dating back to animist times, is performed daily.
Batik is perhaps one of Bali’s most famous crafts. Stopping at one of the many factories, I watch a group of women sitting outside demonstrate how batik is made. It is a time-consuming process starting with the application of wax in the desired pattern. The fabric is then dyed, often several times in different colours. Finally, the wax is removed and the design shines out. Inside, the huge inventory is marked with prices that are staggering. Batik sarongs sell for $25 and up! There is a large inventory of original art on the walls selling for upwards of $300 unframed. My guide tells me he can make a special price if I would like to purchase some art. I thank him for his time and leave.
Agung is waiting patiently and asks what I would like to see next. Telling him I am on shopping overload, he says he will drop me off at the junction to Kuta Beach. Stopping just before the junction, he gives me his telephone number and address, inviting me to call any time.
“Agung, may I give you some money for gas and to buy your family some food today?” I ask.
“Not necessary,” he says, “only if you like.”
“I would like to,” I reply and hand him some money. He thanks me earnestly for my generosity.
“Today, I do have good luck,” he says, thanking me again and riding off with a wave.
Copyright Tim Morch, 2006
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